LessonsʿAntarah ibn Shaddād: Travel, Camel Gait and Ostrich Imagery (verses 20–30)Quiz

وَكَأَنَّمَا يَنْأَى بِجَانِبِ دَفِّهَا الْوَحْشِيِّ مِنْ هَزِجِ الْعَشِيِّ مُؤَوَّمِ
Her wild-side flank seems to draw away as though startled by a noisy evening creature with an ungainly great head.

Yanʾā means to move off or draw away. Daffihā al-waḥshī is the animal’s outer or wild-side flank. The poet imagines that flank withdrawing as if startled by a loud creature at dusk.

Hazij al-ʿashiyy evokes evening noise, and muʾawwam contributes the strange, heavy-headed image. Following the earlier emphasis on speed, the poet now turns to nervous responsiveness.

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Verse 29: A flank drawing away

ʿAntarah ibn Shaddād: Travel, Camel Gait and Ostrich Imagery (verses 20–30)

وَكَأَنَّمَا يَنْأَى بِجَانِبِ دَفِّهَا الْوَحْشِيِّ مِنْ هَزِجِ الْعَشِيِّ مُؤَوَّمِ
Her wild-side flank seems to draw away as though startled by a noisy evening creature with an ungainly great head.

Yanʾā means to move off or draw away. Daffihā al-waḥshī is the animal’s outer or wild-side flank. The poet imagines that flank withdrawing as if startled by a loud creature at dusk.

Hazij al-ʿashiyy evokes evening noise, and muʾawwam contributes the strange, heavy-headed image. Following the earlier emphasis on speed, the poet now turns to nervous responsiveness.