LessonsImruʾ al-Qays: Hair, Sensory Similes, and Enduring Love (Verses 35–42)Quiz

Al-ʿiqāṣ refers to bound or braided locks. Muthannā suggests something folded, twisted, or doubled; mursal is left loose. The three terms identify different arrangements of the same hair.

The phrase fī muthannā wa-mursal places both types together in one scene. The essential contrast is bound or twisted ↔ free-flowing. The hairstyle mixes the two rather than presenting a simple, uniform braid.

Context prevents a literal misreading. In taḍillu al-ʿiqāṣ, no person has lost a path; “becoming lost” is figurative, emphasizing how the braided strands disappear among the intricate folds.

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Muthannā, mursal and ʿiqāṣ: contrasting hair arrangements

Imruʾ al-Qays: Hair, Sensory Similes, and Enduring Love (Verses 35–42)

Al-ʿiqāṣ refers to bound or braided locks. Muthannā suggests something folded, twisted, or doubled; mursal is left loose. The three terms identify different arrangements of the same hair.

The phrase fī muthannā wa-mursal places both types together in one scene. The essential contrast is bound or twisted ↔ free-flowing. The hairstyle mixes the two rather than presenting a simple, uniform braid.

Context prevents a literal misreading. In taḍillu al-ʿiqāṣ, no person has lost a path; “becoming lost” is figurative, emphasizing how the braided strands disappear among the intricate folds.