Verses 63, 64, 65, and 66 all begin with arā, “I see.” The repetition does more than create a sound pattern; each occurrence advances the argument. First come comparable graves, then their similar materials, then death’s reach, and finally a life-span imagined as dwindling wealth.
The movement is from particular sight to general judgment. The first two lines offer tangible objects, while the latter two draw broad conclusions about death and duration. Recognizing this progression explains why the repeated verb has a rhetorical function rather than merely providing rhythmic decoration.