«وَحَقِّ مَوْلًى أَبْدَعَتْهُ فِطْرَتُهُ»
By the Lord whose creative power brought it into being!
«لَوْلَا التُّقَى لَقُلْتُ جَلَّتْ قُدْرَتُهُ»
Were it not for reverence for God, I might have said that its power is exalted.
The closing lines deliberately approach the outer limit of panegyric, then introduce taqwā as a restraint. Praise of a created object must not become an attribution of divine status. The literary effect depends on tension between extreme flattery of the coin and an explicit religious boundary.