«ثُمَّ هَجَمْتُ عَلَيْهِ فَوَجَدْتُهُ مُثَافِنًا لِتِلْمِيذٍ عَلَى خُبْزِ سَمِيذٍ وَجَدْيٍ حَنِيذٍ»
Then I came upon him unexpectedly and found him seated with a pupil over fine bread and roast young goat.
Hajamtu suggests an abrupt entrance; muthāfinan depicts sitting closely together. The private scene contrasts with the severity of the public sermon.
The meal is not wrong in itself. The literary tension lies in how the narrator interprets the difference between public appearance and private circumstances.