In an early Arabian campsite, the cooking vessel could be supported by athāfī, a set of hearthstones. Even when the pot is gone, the stones’ position and smoke-darkened surface can preserve evidence of domestic activity. Muʿarras mirjal specifies the place where such a cooking pot had rested.
This matters because the poet does not point to a monumental building or ceremonial gateway. A few dark stones evoke cooking, living, and eventual departure—the everyday history of a household reduced to traces.