In ka-aḥmari ʿĀd, the comparative kāf openly introduces a simile: the disastrous “offspring” are likened to an ill-omened figure. By contrast, the words talqaḥ, tuntaj, turḍiʿ apply the actions of a she-camel directly to war; this is an extended metaphor or personifying depiction.
ʿArka al-raḥā expressly compares the process of crushing to a mill. Distinguishing these devices helps explain how the poet intensifies a single argument through several kinds of image.