مِنْ آدَابِهَا إِخْرَاجُ الرَّجُلِ كَفَّيْهِ مِنْ كُمَّيْهِ عِنْدَ التَّكْبِيرَةِ، وَنَظَرُ الْمُصَلِّي إِلَى مَوْضِعِ سُجُودِهِ قَائِمًا، وَإِلَى ظَاهِرِ الْقَدَمِ رَاكِعًا، وَإِلَى أَرْنَبَةِ أَنْفِهِ سَاجِدًا، وَإِلَى حِجْرِهِ جَالِسًا، وَإِلَى الْمَنْكِبَيْنِ مُسَلِّمًا
1. For a man wearing sleeves, bringing the hands out at the opening Takbir is listed as Adab.
2. Direct the gaze:
• standing → place of Sujud;
• Ruku → tops of the feet;
• Sujud → tip of the nose;
• sitting → lap;
• Salaam → toward the shoulders.
The Salaam gaze point was missing from the previous version and is now restored.