Correct Vowel Articulation — Fatḥah, Kasrah, Ḍammah, Ishbāʿ and Sukūn
Read-only question overview. Answers and scoring remain inside authenticated learner attempts.
- What mouth position does the book pair with fatḥah?
- Which condition accompanies kasrah?
- What distinguishes ḍammah?
- Fatḥah with some inkhifāḍ resembles which vowel?
- Unneeded rounding during fatḥah causes resemblance to?
- If kasrah loses its inkhifāḍ and the mouth opens, it may sound like?
- When kasrah acquires lip rounding, it resembles?
- Incomplete ḍammah rounding with inkhifāḍ tends toward?
- If ḍammah becomes too open, it can resemble?
- What distinguishes «بَ» and «بَا»?
- A ḍammah without a madd wāw should be?
- Why is extra lengthening of bare kasrah wrong?
- With ḍammah before a doubled wāw, avoid?
- What should be avoided when reciting «عَدُوٌّ»?
- Where a true madd letter follows, what is necessary?
- Which correctly illustrates fatḥah plus alif?
- Several adjacent madd letters call for what?
- What special reading feature applies to «مَجْرَاهَا»?
- Why is majrāhā’s imālah not a generic vowel mistake?
- How does the source classify Arabic kasrah and ḍammah?
- Adding a vowel to sukūn violates which rule?
- How does the book describe sukūn?
- What does the release of a sākin qalqalah letter signify?
- How does the source characterize sākin kāf and tāʾ?
- At a stop on «أَحَدْ», what is correct for the final dāl?
- Which principle avoids both opposite errors?
- What should be identified before deciding whether to lengthen?