The author lists a cry-like vocal effect among possible techniques of designed recitation. That mention does not mean that sincere emotion or tenderness during recitation is inherently wrong.
Distinguish emotional responsiveness from forcing the voice into a performance that disrupts pronunciation, pauses, or vowels. The practical priority is dignified, accurate recitation, not manufacturing an emotional effect.
Opening interactive controls...
Emotion versus a manufactured crying sound
Melodic Recitation: Beauty of Voice and the Limits of Tajwīd
The author lists a cry-like vocal effect among possible techniques of designed recitation. That mention does not mean that sincere emotion or tenderness during recitation is inherently wrong.
Distinguish emotional responsiveness from forcing the voice into a performance that disrupts pronunciation, pauses, or vowels. The practical priority is dignified, accurate recitation, not manufacturing an emotional effect.