Imruʾ al-Qays: Movement, Mirror, Gaze, and Gazelle Imagery (Verses 30–34)

Read-only question overview. Answers and scoring remain inside authenticated learner attempts.

• In verse 30, what is the core sense of haṣartu?
• What number is expressed by fūday in bi-fūday raʾsihā?
• What relationship does fāʾ create between haṣartu and fa-tamāyalat?
• Which derived form is tamāyalat?
• What physical description does haḍīm al-kashḥ convey?
• Which area is referenced by mukhalKhal in rayyā al-mukhalKhal?
• Which conclusion about consent is justified by the wording of verse 30?
• What effect comes from pairing muhafhafah and ghayru mufāḍah?
• What is the singular of tarāʾib?
• What is maṣqūlah in tarāʾibuhā maṣqūlah?
• What morphological category is maṣqūlah?
• What is the central point of comparison in ka-l-sajanjal?
• Why is mufāḍah genitive in ghayru mufāḍah?
• What image is created by al-muqānāti al-bayāḍi bi-ṣufrah?
• How should differing explanations of ka-bikr in verse 32 be handled?
• What functions as the subject in ghadhāhā namīr al-māʾ?
• What kind of water is evoked by namīr al-māʾ?
• What is the contextual meaning of ghayru al-muḥallal in verse 32?
• How do taṣuddu and tubdī interact?
• Which form does tubdī belong to?
• What facial quality is conveyed by asīl?
• What does Wajrah denote in waḥsh Wajrah muṭfil?
• What does muṭfil add to the simile of the gaze?
• What is the comparator in ka-jīd al-riʾm?
• What does fāḥish mean in laysa bi-fāḥish here?
• How is the bāʾ explained in laysa bi-fāḥish?
• To what does -hu refer in idhā hiya naṣṣathu?
• What positive implication comes from wa-lā bi-muʿaṭṭal?
• In verses 30–34, which two different qualities draw on animal comparisons?