“ʿAqadat sanābikuhā”
Their hooves gathered and held together, as though forming a mass.
The poetic scene portrays dust thrown up by galloping horses as if it became a fixed mass over the riders' heads. Its literal persistence in that form is not the intended assertion; the image conveys the speed of the horses and the density of the dust.
Sanābik denotes the hard front portions of hooves. That concrete detail links movement and dust, contributing to the coherence of the imaginative picture.
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Acceptable Hyperbole: Tablīgh, Ighrāq, Ghulūw and Effective Imagery
“ʿAqadat sanābikuhā”
Their hooves gathered and held together, as though forming a mass.
The poetic scene portrays dust thrown up by galloping horses as if it became a fixed mass over the riders' heads. Its literal persistence in that form is not the intended assertion; the image conveys the speed of the horses and the density of the dust.
Sanābik denotes the hard front portions of hooves. That concrete detail links movement and dust, contributing to the coherence of the imaginative picture.