بِصُبْحٍ وَمَا الْإِصْبَاحُ مِنْكَ بِأَمْثَلَ
With a morning that is no better than you.
The following half-line, “and morning is no better than you,” intensifies the emotional paradox. The poet longs for the end of the night yet doubts that morning will bring relief; longing and weariness reinforce one another.
The expression wa-mā al-iṣbāḥu minka bi-amthal negates the superiority of morning. It does more than compare two times of day: it creates tension between a desired transition and the expectation that it may change little.