Merely mentioning several movements does not make a point composite. The movements must generate an identifiable unified pattern, especially through contrast of direction.
Example 1: An arrow moving straight forward — potentially one motion.
Example 2: Four limbs rotating together in different directions — potentially a composite pattern.
Example 3: Two covers opening and closing in opposite directions — a coordinated moving appearance.
The analyst should move beyond adjectives such as “fast,” “slow,” and “numerous,” and identify the structural relation among the motions.