«طحا بك قلب في الحسان طروب ... بعيد الشباب عصر حان مشيب ... تكلفني ليلى وقد شط وليها ... وعادت عواد بيننا وخطوب»
Your heart is led away in its passion for beautiful women, though youth has passed and old age approaches; the poet then says of himself that Laylā places demands on me despite distance and obstacles between us.
The opening «بك» addresses a “you,” while «تكلفني» turns to the poet’s own experience (“me”). The poem therefore supplies the sequence needed to see the perspective change rather than merely an isolated first-person phrase.
Nevertheless, a changed pronoun or verbal ending is not sufficient on its own. A student must establish that the same referent or directed communication is being recast, rather than two independent subjects simply being introduced.
This distinction prevents grammatical pattern-spotting from displacing actual rhetorical interpretation.