The verses move through five connected steps: (1) releasing an unreliable bond, (2) sustaining courtesy, (3) travelling on a weathered she-camel, (4) registering exhaustion, and (5) recognising her continuing speed.
The speaker translates an inward decision into outward movement. This is more than descriptive ornament: the choice to move beyond Nawār’s absence becomes a journey the audience can almost see and feel.