Verbal Embellishments: Resembling Endings, Jinas, Sajʿ, and Further Devices
Read-only question overview. Answers and scoring remain inside authenticated learner attempts.
- What principally defines verbal embellishments?
- Where does tashabuh al-atraf create a link?
- What is prominent in the Qur’anic lamp-and-glass sequence?
- What is essential for jinas?
- Which is NOT one of the four tests for complete jinas?
- What distinguishes mutamathil jinas?
- Which jinas appears in “fādārihim ... fī dārihim”?
- How are “dhā hibah” and “dhāhibah” related?
- What distinguishes mafruq?
- What primarily differs in “al-burd” and “al-bard”?
- What does “ʿawāṣ / ʿawāṣim” illustrate?
- What mainly separates mudariʿ from lahiq jinas?
- What causes the wordplay in “yanhawna wa-yanʾawna”?
- What happens to letters in transposition jinas?
- What distinguishes tasdir from tashabuh al-atraf?
- In sajʿ, what is a fāsilah?
- What matches in mutarraf sajʿ?
- Which feature identifies parallel sajʿ?
- What does murassaʿ add beyond ordinary parallel sajʿ?
- Which independent device is illustrated by “kun kamā amkanak”?
- Which device appears in “qawl al-imām, imām al-qawl”?
- What is essential for tashriʿ?
- What setting helps identify muwaraba?
- Which device is illustrated by “tallāhi taftaʾu”?
- Repeating one word with the same meaning does not necessarily produce jinas.
- Complete jinas permits different letter order.
- Mutarraf sajʿ requires the two final words to have identical weight.
- Qalb and ʿaks both necessarily reverse the entire letter sequence.
- Tashriʿ calls for both shorter and longer verse forms to retain sense and metre.
- Harmony of word with word concerns stylistic compatibility among neighboring expressions.